Fujifilm GFX ETERNA 55 Digital Cinema Camera
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Fujifilm

Fujifilm GFX ETERNA 55 Digital Cinema Camera

Rp 314.888.000   Rp 299.888.000 Warranty: 1 Tahun Fujifilm Indonesia
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  • Discount Rp 15.000.000

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Specification :

  • Large-Format Sensor, Variable ND
  • 4K48 4:3 Open Gate, 6.3K24 Super 35
  • 14.5-Stop Dynamic Range, Dual-Native ISO
  • Internal ProRes 422 HQ, H.265, Proxies
  • Ext HDMI 10-Bit Uncompressed, 12-Bit Raw
  • 5" 16:9, 3" 3:2 Touchscreen LCD Screens
  • 20 Film Simulations, F-Log2/C 3D LUTs
  • FUJIFILM G and ARRI PL Lens Mounts
  • Ethernet, BLE with TG-BT1/ATOMOS AirGlu
  • CFexpress and SD Card Slots, USB-C Port




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ETERNA– Legacy Reimagined for a New Era
ETERNA – a name that means ‘eternal’.
What once lived on celluloid now returns in the digital age.
The soul of cinema. The passage of time. Colors that stir emotion.
Introducing a new kind of filmmaking camera – crafted to reflect the creator’s eye and heart.
Infused with the depth of Fujifilm’s enduring wisdom, it’s built to create stories that stand the test of time.

The Large Format Sensor
FUJIFILM GFX ETERNA 55 – Designed for Filmmakers, Built Around a Large Format Sensor
At the heart of GFX ETERNA 55 lies a powerful large format sensor: 44x33mm (55mm diagonal), far exceeding the traditional 35mm full-frame. Its expansive surface records light in stunning detail, delivering a cinematic aesthetic with unique depth-of-field characteristics that standard formats simply can’t replicate.
Smooth tonal gradation. Subtle textures hiding in the shadows. Atmosphere lingering in the highlights.
Every flicker of light, every nuance of tone – faithfully rendered, even in low light, with remarkably low noise.
Skin tones are recorded with delicate precision, preserving their natural feel.
GFX ETERNA 55 is more than a tool. It’s a camera that lets filmmakers return to the essence of visual storytelling: the desire to speak through light.

Various Formats
GFX ETERNA 55 supports 4:3 Open Gate recording, fully utilizing the expansive imaging area of its large format sensor.
In addition to FUJINON GF and Premista lenses, it also supports 8K/4K DCI recording with standard 35mm compatible PL lenses. Moreover, it is compatible with anamorphic lenses and Super 35 format lenses, allowing filmmakers to freely select the desired field of view according to their creative vision.
Combining the rich visual expression unique to a large sensor with broad compatibility across lens types and formats, this camera becomes a powerful creative tool – expanding the freedom of filmmaking to new heights.

Anamorphic Ready
GFX ETERNA 55’s large format 4:3 sensor is ideal for the unique cinematic qualities of anamorphic lenses.
The elongated aspect ratio, elliptical bokeh, and horizontal lens flare characteristic of such optics have been widely embraced in filmmaking to enrich storytelling. GFX ETERNA 55 offers real-time de-squeeze monitoring on set, providing a clear and accurate preview during shooting.
By combining the sensor’s vast image circle with the distinct properties of anamorphic lenses, GFX ETERNA 55 delivers unprecedented depth and scale to your creative output.

Codec
Apple ProRes HQ, renowned for its reliability in post-production workflows, is the main recording codec on GFX ETERNA 55.
It offers a perfect balance of high-quality image fidelity and robust editing performance, enabling a seamless workflow from on set to final finishing. Covering up to 8K at 30fps, 4K at 60fps, and HD at 120fps, GFX ETERNA 55 records the rich tonal range and color of its large format sensor in formats optimized for any scenario.
Whether it’s cinematic feature films, commercials demanding flexible frame rates, or high-speed artistic projects,
GFX ETERNA 55’s versatility makes it an ideal tool across genres.

Ready for Filmmaking
A design that elevates the creative drive of every filmmaker.
Constructed with a magnesium alloy body, the camera balances lightweight portability with exceptional durability.
Every detail – from cable connectors and button layout to the handle – has been meticulously crafted for maximum convenience and robustness.
The sleek, minimalist form, inherited from GFX System, is sure to satisfy the discerning aesthetic of any user.

Model Name
FUJIFILM GFX ETERNA 55
Lens Mount
FUJIFILM G mount
Image Sensor
43.8mm×32.9mm GFX 102MP CMOS II HS with primary color filter
Number Of Pixels
102 million pixels
ND Filter
Electronic Variable ND Filter, 0.6(ND4)?2.1(ND128)
Gamma
Film Simulation / F-Log2 / F-Log2 C / F-Log / HLG
LUT Setting
Up to 16 3D-LUT files can be saved on the camera. Supported cube sizes (17/33/65). File names support up to 48 characters.
Cooling Fan Setting
AUTO1 / AUTO2 / HIGH / LOW
Sensor Cleaning System
Ultra Sonic Vibration
Image Processing Engine
X-Processor 5
Storage Media
SD Card (-2GB)
SDHC Card (-32GB)
SDXC Card (-2TB)
UHS-I
UHS-II
Video Speed Class V90
CFexpress Type B Card (-2TB)
SSD (-2TB)
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
Sensitivity
Movie
Standard Output
AUTO
ISO400?12800 (1/3 step)
Extended Output
ISO100~ISO320 (1/3 step)
ISO25600
Exposure Control
TTL 256-zone metering
Multi
Spot
Average
Center Weighted
Exposure Compensation
Movie
-2.0EV~+2.0EV (1/4EV step)
Dynamic Range
14+Stop (F-Log2 / F-Log2 C)
Shutter speed / Shutter angle
1/8 sec~1/8000 sec, 5.6°~ 360°
Focus
Mode
Continuous AF
MF
Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Low-light Performance
Contrast
-0.7EV
GF80mmF1.7 attached
Phase Detection
-3.7EV
GF80mmF1.7 attached
AF Frame Selection
Single Point AF
13×9 / 25×17 (Changeable size of AF frame)
Wide/Tracking AF
AF: MULTI / TRACKING / AREA
Face/eye Detection
Yes
Subject Detection
Yes (FACE/Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
Side monitor
3.0 inch Touch Screen Color LCD Monitor
Aspect Ratio
3:2
Dots
Approx. 1.04 million dots
Movie Recording
File Format
MXF, MOV
Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Movie Compression
All Intra
Long GOP
Project FPS
Frame Rate
59.94P
50P
48P
47.95P
29.97P
25P
24P
23.98P
8K(17:9)
File Size
8192 x 4320
Frame Rate
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra: Only available at 720 Mbps and 360 Mbps
8K(16:9)
File Size
7680 x 4320
Frame Rate
29.97p
25p
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra: Only available at 720 Mbps and 360 Mbps
8K(2.76:1)
File Size
8192 x 2968
Frame Rate
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra: Only available at 720 Mbps and 360 Mbps
6.3K(16:9)
File Size
6382×3590
Frame Rate
29.97p
25p
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra:Only available at 720 Mbps and 360 Mbps
5.8K(2.39:1)
File Size
5824×2436
Frame Rate
29.97p
25p
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200 Mbps
100Mbps
50Mbps
All Intra: Only available at 720 Mbps and 360 Mbps
5.4K(17:9)
File Size
5440 x 2868
Frame Rate
29.97p
25p
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra: Only available at 720 Mbps and 360 Mbps
4.8K(3:2)
File Size
4776 x 3184
Frame Rate
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra: Only available at 720 Mbps and 360 Mbps
4.8K(16:9)
File Size
4776 x 2688
Frame Rate
29.97p
25p
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra: Only available at 720 Mbps and 360 Mbps
4.6K(1.38:1)
File Size
4664 x 3380
Frame Rate
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra: Only available at 720 Mbps and 360 Mbps
4K(1.195:1)
File Size
4040×3380
Frame Rate
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra:Only available at 720 Mbps and 360 Mbps
DCI4K(17:9)
File Size
4096 x 2160
Frame Rate
59.94p
50p
48p
47.95
29.97p
25p
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra: Only available at 720 Mbps and 360 Mbps
4K(16:9)
File Size
3840 x 2160
Frame Rate
59.94p
50p
48p
47.95p
29.97p
25p
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra: Only available at 720 Mbps and 360 Mbps
4K(4:3)
File Size
3840×2880
Frame Rate
48p
47.95p
29.97p
25p
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra: Only available at 720 Mbps and 360 Mbps
Full HD(17:9)
File Size
2048 x 1080
Frame Rate
119.8p
100p
59.94p
50p
48p
47.95p
29.97p
25p
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra: Only available at 720 Mbps and 360 Mbps
Full HD(16:9)
File Size
1920 x 1080
Frame Rate
119.8p
100p
59.94p
50p
48p
47.95p
29.97p
25p
24p
23.98p
22p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
All Intra: Only available at 720 Mbps and 360 Mbps
Proxy
H.264, ProRes Proxy, OFF
Notes
*Selectable mode will be changed depending on the “Image Format” setting.
*For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher.
*For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher.
*For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher.
*PROJECT FPS cannot be set above the maximum RECORDING FPS.
*Selectable bitrate will be changed depends on the setting.
*Apple ProRes codec can be only recorded to CFexpress Type B card
*Bitrate for Apple ProRes codec is not selectable.
*Recording time can become short depending on the temperature and/or shooting conditions
Film Simulation Mode
20 modes
PROVIA/Standard
Velvia/Vivid
ASTIA/Soft
Classic Chrome
REALA ACE
PRO Neg.Hi
PRO Neg.Std
Classic Neg.
Nostalgic Neg.
ETERNA/Cinema
ETERNA BLEACH BYPASS
ACROS
ACROS + Ye Filter
ACROS + R Filter
ACROS + G Filter
Black & White
Black & White + Ye Filter
Black & White + R Filter
Black & White + G Filter
Sepia
White Balance
Auto
White Priority
Auto
Ambience Priority
Custom
Custom
Color Temperature Selection
2000K~11000K,CC(-16.00~+16.00)
Wireless Transmitter
Standard
IEEE802.11a/b/g/n/ac (standard wireless protocol)
Encryption
WPA2, WPA3
Access Mode
Infrastructure mode
Bluetooth®
Standartd
Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating Frequency (Center Frequency)
2402?2480MHz
Terminal
Digital Interface
USB Type-C®
HDMI Output
HDMI OUT connector (Type A)
LAN Terminal
LAN connector 1000BASE-T?100BASE-TX?10BASE-T
Others
ø3.5mm,stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm,connector (Remote Release )
TC IN/TC OUT connector
GenLock connector
12G SDI OUT connector:max 4K59.94p 12G/6G/3G
LENS connector(12-pin) :Power supply 14V-0.5A
V-mount battery attachment terminal
Handle connection terminal
DC OUT 12V connector :2-pin LEMO :12V 3A
LCD monitor cable connector
DC IN connector:4-pin for AC-15VS
Power Supply
Power Supply
NP-W235 Li-ion battery (included)
DC IN:AC-15VS AC power adapter (included)
V-mount battery
Dimensions
Width
110.8mm
Height
138.2mm
Depth
176.8mm
Weight
Excluding Battery And Memory Card
Approx. 2.0kg
Operation Environment
Operating Temperature
-10??+40?
Operating Humidity
10% – 80% (no condensation)
Power Consumption
Standard power consumption?21W
With lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan Auto1,
excluding accessories other than the LCD monitor and handle.
Maximum power consumption?49W
With lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan High,
including accessories, DC OUT 12V not connected.
Accessories Included
Li-ion battery NP-W235
AC power adapter AC-15VS
AC cable
Body cap
Handle
LCD Monitor
LCD Monitor hood
LCD attachment
PL-Mount Adapter

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